<?xml version="1.0" encoding="utf-8"?><?xml-stylesheet type="text/xml" href="https://movingpictures.somini.xyz/feed.xslt.xml"?><feed xmlns="http://www.w3.org/2005/Atom"><generator uri="https://jekyllrb.com/" version="4.4.1">Jekyll</generator><link href="https://movingpictures.somini.xyz/tag/creator-johnford.xml" rel="self" type="application/atom+xml"/><link href="https://movingpictures.somini.xyz/" rel="alternate" type="text/html"/><updated>2026-04-07T00:49:13+01:00</updated><id>https://movingpictures.somini.xyz/tag/creator-johnford.xml</id><title type="html">Ephemera of Vision | Tag</title><subtitle>This is my place for ramblings about sequences of images that exploit the human visual limitation know as persistence of vision. </subtitle><author><name>somini</name></author><entry><title type="html">The Man who Shot Liberty Valance</title><link href="https://movingpictures.somini.xyz/2026/02/13/the-man-who-shot-liberty-valance.html" rel="alternate" type="text/html" title="The Man who Shot Liberty Valance"/><published>2026-02-13T00:00:00+00:00</published><updated>2026-02-13T00:00:00+00:00</updated><id>https://movingpictures.somini.xyz/2026/02/13/the-man-who-shot-liberty-valance</id><author><name>somini</name></author><category term="creator:JohnFord"/><summary type="html"><![CDATA[Let’s just say, I now understand why Stalin loved the John Ford films. Ideologically, this is absolutely hideous, borderline un-American in the deconstruction of a classic Western tale.]]></summary></entry></feed>