Escape from L.A.

The anarchist’s cookfilm.

I like everything about this:

  • “The name’s Plissken”
  • The ending where Snake chooses to EMP the world, using the “world code” (666)
  • Peter Fonda surfing a tsunami
  • That basketball scene that bring a new meaning to “shot clock violation”. I heard a sample of this on a music track, so YouTube has probably taken down every copy, so here’s the scene in French or Spanish.
  • Map-to-the-Stars Eddie!
  • “Call me Snake”
  • “The One”

It builds on everything from Escape from New York, but bigger and bolder.


This is my place for ramblings about sequences of images that exploit the human visual limitation know as persistence of vision.