Escape from L.A.
The anarchist’s cookfilm.
I like everything about this:
- “The name’s Plissken”
- The ending where Snake chooses to EMP the world, using the “world code” (666)
- Peter Fonda surfing a tsunami
- That basketball scene that bring a new meaning to “shot clock violation”. I heard a sample of this on a music track, so YouTube has probably taken down every copy, so here’s the scene in French or Spanish.
- Map-to-the-Stars Eddie!
- “Call me Snake”
- “The One”
It builds on everything from Escape from New York, but bigger and bolder.
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This is my place for ramblings about sequences of images that exploit the human visual limitation know as persistence of vision.