Sirāt
From Boom Festival to hell on earth it doesn’t take too long. Just a prior disappearance, running away from the army, stepping on mines left for the Saharaui people. None of that is explicit, it’s all in the subtext.
Sergi Lopez looks almost the same, since the times of El laberinto del fauno. Except for the dadbod, that is.
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This is my place for ramblings about sequences of images that exploit the human visual limitation know as persistence of vision.