Archive for Release Year: 2020
19 posts from 03 September 2020 to 12 October 2024.
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The Night Manager with nicer effects and less fucking. A Memento of Nolan past. Is this the end of his career, or just the beginning. We live in a twilight world. Cells, interlinked, within cells, interlinked, within cells, interlinked within one stem. Laputan machine.
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How to steal a newspaper from your wife between World Wars: force abortions in excess of 5 maids and assorted visitors, then accuse her of hysteria when she absconds with the driver.
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Nem mau nem bom, antes pelo contrário. How does this win so many awards?
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Ironically an hagiography, considering the title. It’s a condensed part of his life, mostly exposition, a rookie TV movie.
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Yearly Wipe with actors as talking heads loses some of the edge, but it’s still nice. Lacks Charlie Brooker’s dinghy sofa.
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Million Dollar Baby.
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Saucy old French Résistance fighter breaks down completely when visiting the concentration camp where her brother was killed. This is the first time she’s there, after 75 years. Accompanying her is a young historian studying the period, which gets a more raw look into her study subject.
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Poetry that let itself be filmed. A very personal and fine arts take on familial loss. “Every frame is a painting” is rarely such an apt description, it is literally true in this film.
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Produced by a Caesar Augustus, this has big shoes to fill, right of the bat on the initial credits. Not even Nic Cage can make this more than a snore fest. Why use this title for Predator with martial arts?
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Thought it might not be a low budget thriller with mental health plot points (the modern daemonic possession), but it turns out it was a figment of their imagination all along.
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A better biopic than Marie Antoinette, with a somewhat similar style. Loved the speeches straight to the viewer, they are enmeshed in the story, usually ironic echoes of the main characters condition. The whole film is that, speeches extolling the virtue of equality in socialism, with men idling while woman toil.
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Not so excellent, but it’s not The Matrix Resurrections. Kristen Schaal could make a mean George Carlin, if they let her.
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The Twilight Zone (Nightmare at 20 Thousand Feet) meets Ice Age meets Stop! Or My Mom Will Shoot.
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Ahh, a proper horror film about truly horrible things: sexual frustration, church crimes, British collaboration with the Nazi regime. I just can’t understand the title.
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This kind of thing works better as sketch show, like Who is America. Just like most Borat stuff, not all of it lands, but the Giuliani stuff is incredible, it’s beyond manipulative editing. America’s Mayor.
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Prude 50 Shades of Tokyo, with Alexandra Daddario. Suck it, Dakota Johnson, instead of nepo babies there are pillow boobies.
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One of those cheating thrillers, where there’s no way to guess what will happen based on foreshadowing. But it’s absolutely predictable anyway, because all unhappy families are unhappy in their own way.
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I can’t believe a CGI dog is really the main character in a 90 minute feature film. The killer dog that murders a greedy rich prospector in the big climax, just chucks him into a burning log cabin. That’s wild all right.
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Why the hell does this have two endings? Is that a reshoot to make the woman as the gold digger and the violent gaslighting tech billionaire the real victim? What the shit?